artschmart: olympia + iris
It occurred to me that this image/still of Jodie Foster in Taxi Driver, 1976, did for the 20th century what Manet’s Olympia, 1863, did for the 19th: confront society with its ultimate sham-muse; the idealized whore. Or courtesan no-more. Manet did it by attacking art history’s tradition of the reclining nude, and showing what a sham all […]
